
Compositions by the Trinity and other masters — Dikshitar, Tyagaraja, and Karoor Brothers. Full notation, raga analysis, and practice guides.
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Carnatic Level 3 Kritis are available to Svara, Raga, and Guru plan subscribers. Sign in to access full notation, lyrics, and audio.
A Krti (also spelled Kirtana or Keertana) is the most important compositional form in Carnatic music. Unlike a Varnam — which is primarily a practice piece — a Krti is a complete musical and devotional statement. It consists of three main sections: Pallavi (opening refrain), Anupallavi (second section, often reaching the upper octave), and one or more Charanams (verses). Many Kritis also include a Madhyama Kalam — a section sung at double speed to demonstrate rhythmic agility.
The Trinity of Carnatic Music — Muttusvami Dikshitar (1775–1835), Tyagaraja (1767–1847), and Syama Sastri (1762–1827) — composed thousands of Kritis that form the backbone of the concert repertoire. Level 3 introduces four carefully selected Kritis that cover different ragas, talas, composers, and languages.
Eight Kritis covering Vegavahini, Bangala, Hamsadhvani, Saranga, Nata, and Sri — by Dikshitar, Karoor Brothers, and Tyagaraja.
Listen to master vocalists performing Kritis from this level and related ragas to internalise the characteristic phrases before studying the notation.
Pancharatna Kritis — M.S. Subbulakshmi
M.S. Subbulakshmi
30-sec preview · Full playback for Spotify Premium
The Art of Carnatic Music — Semmangudi
Semmangudi Srinivasa Iyer
30-sec preview · Full playback for Spotify Premium
Carnatic Music Podcast — Compositions & Aesthetics
Shiv Kumar
30-sec preview · Full playback for Spotify Premium