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Hanumatodi

Hanumatodi

Rasa: Devotional, Melancholic

melakartasampoornaNetra Chakra#8Popular
Scale & Notes
Aarohanam (Ascending)
S
R₁
G₂
M₁
P
D₁
N₂
Avarohanam (Descending)
N₂
D₁
P
M₁
G₂
R₁
S
Western equivalent:Phrygian ♮7
Audio Playback
Voice
Tempo
60 BPM
Aarohanam (Ascending)
SR₁G₂M₁PD₁N₂
Avarohanam (Descending)
N₂D₁PM₁G₂R₁S
Characteristic Phrases (Prayogas)

Aarohanam — ascending scale

S R₁ G₂ M₁ P D₁ N₂ Ṡ

Avarohanam — descending scale

Ṡ N₂ D₁ P M₁ G₂ R₁ S

Tambura Drone
About this Raga

Hanumatodi, widely known simply as Todi, is one of the greatest ragas in Carnatic music. It is a profound rakti raga, rich in gamaka and emotional depth, occupying a central place in both pedagogy and concert performance. Its personality is deeply introspective, weighty, and expressive — conveying devotion, yearning, gravity, and philosophical stillness. The true identity of Hanumatodi lies in phrase movement, oscillation, and microtonal handling rather than bare scalar ascent and descent. It is considered demanding but immensely rewarding for performers and listeners alike. Hanumatodi is one of the major ragas used for alapana, neraval, kalpana swara, tanam, and pallavi exploration. Also known as: Nadhanamakriya.

Jiva & Nyasa Swaras
Jiva Swaras (life-giving notes)
G₂M₁D₁
Nyasa Swaras (resting/ending notes)
G₂PD₁
Typical Phrases (Sancharas)
M₁ G₂ R₁ S
P D₁ N₂ Ṡ
Ṡ N₂ D₁ P M₁
Compositions & Snippets
  • Kaddanuvariki — Tyagaraja
  • Karuna Joodavamma — Tyagaraja
  • Dachukovalena — Tyagaraja
  • Sri Krishnam Bhaja Manasa — Muthuswami Dikshitar
  • Era Na Pai — Patnam Subramania Iyer(varnam)

Audio preview for this raga coming soon.

Signature Tune (Alapana)

Generate an AI-crafted signature tune (alapana phrase) for this raga.

Famous Compositions
Kaddanu Variki
Tyagaraja · Adi
Sree Krishnam Bhaja
Muthuswami Dikshitar · Adi
Era Napai (Varnam)
Patnam Subramanya Iyer · Adi

Todi — Manasuloni

T.N. Seshagopalan